| 2023 | |
|---|---|
| Matthew Peachey and Joseph Malloch (2023). FAUSTMapper: Facilitating Complex Mappings for Smart Musical Instruments. In Proceedings of the 4th International Symposium on the Internet of Sounds (IS2), Pisa, Italy. | |
| Brady Boettcher (2023). Developing Maturity in DMIs and Mapping Tools. Masters Thesis, McGill University, Canada. | |
| Brady Boettcher, Eduardo A. Meneses, Christian Frisson, Marcelo M. Wanderley, and Joseph Malloch (2023). Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Mexico City, Mexico. | |
| 2022 | |
| Eduardo A. L. Meneses (2022). Iterative design in DMIs and AMIs: expanding and embedding a high-level gesture vocabulary for T-Stick and GuitarAMI. PhD thesis, McGill University, Canada. | |
| Mathias Kirkegaard (2022). Integrating 1-DoF force feedback interactions in self-contained DMIs. Masters thesis, McGill University, Canada. | |
| Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, and Marcelo M. Wanderley (2022). ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Auckland, New Zealand. | |
| Brady Boettcher, Joseph Malloch, Johnty Wang, and Marcelo M. Wanderley (2022). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Auckland, New Zealand. | |
| 2021 | |
| Mathias Bredholt (2021). Live-Looping of Distributed Gesture-to-Sound Mappings. Masters thesis, McGill University, Canada. | |
| Christian Frisson, Mathias Bredholt, Joseph Malloch and Marcelo M. Wanderley (2021). MapLooper: Live-looping of Distributed Gesture-to-Sound Mappings. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Shanghai, China. | |
| Travis J West, Stéphane Huot, Marcelo Wanderley, and Baptiste Caramiaux (2021). Making Mappings: Design Criteria for Live Performance. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Shanghai, China. | |
| Max Graf, Harold Chijioke Opara, and Mathieu Barthet (2021), An Audio-Driven System for Real-Time Music Visualisation. Journal of the Audio Engineering Society (AES). Paper 10498. | |
| Logan Murphy and Joseph Malloch (2021), IOMapper: The Integration of Generalized Signal Control Mapping With the Godot Game Engine. Dalhousie Computer Science In-House Conference (DCSI), Halifax, Canada. | |
| 2020 | |
| Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Johnty Wang, John Sullivan, Eduardo Meneses, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, and Josh Rohs (2020). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Birmingham, UK. | |
| Mathias Kirkegaard, Mathias Bredholt, and Marcelo M. Wanderley (2020). An intermediate mapping layer for interactive sequencing. In Proceedings of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark. | |
| Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, and Marcelo M. Wanderley (2020). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) (pp. 6). Birmingham, UK. | |
| Travis J. West, Baptiste Caramiaux, Marcelo M. Wanderley (2020). Making Mappings: Examining the Design Process. 2020. In Proceedings of the International Conference on New Interfaces for Musical Expression. Birmingham, UK. | |
| Travis J. West, Making Mappings: Examining the Design Process with Libmapper and the T-Stick (2020). MA Thesis. McGill University, Canada. | |
| 2019 | |
| Ajin Tom, Harish Venkatesan, Ivan Franco, and Marcelo M. Wanderley (2019). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Porto Alegre, Brazil. | |
| Johnty Wang, Joseph Malloch, Stephen Sinclair, Jonathan Wilansky, Aaron Krajeski, and Marcelo M. Wanderley (2019). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. In 14th International Symposium on Computer Music Multidisciplinary Research. Marseille, France. | |
| 2018 | |
| Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley (2018). Generalized Multi-Instance Control Mapping for Interactive Media Systems. In IEEE Multimedia (pp. 39-50). | |
| Alex Nieva (2018). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. Masters thesis, McGill University, Canada. | |
| 2017 | |
| Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, and Marcelo M. Wanderley (2017). Versioning and Annotation Support for Collaborative Mapping Design. In Sound and Music Computing. | |
| 2016 | |
| Doug Van Nort, Ian Jarvis, and Michael Palumbo (2016). Towards a Mappable Database of Emergent Gestural Meaning. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Brisbane, Australia. | |
| 2015 | |
| Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley (2015). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. In Multimedia Tools and Applications (pp. 5683-5707). | |
| 2013 | |
| Joseph Malloch (2013). A Framework and Tools for Mapping of Digital Musical Instruments. PhD thesis, McGill University, Canada. Thesis defended on November 04, 2013. | |
| Mahtab Ghamsari-Esfahani (2013). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. Masters thesis, McGill University, Canada. | |
| Aaron Krajeski (2013). A Flexible Tool for the Visualization of Musical Mapping Networks. Masters thesis, McGill University, Canada. | |
| Jonathan Wilansky (2013). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. Masters thesis, McGill University, Canada. | |
| Håkon Knutzen (2013). Haptics in the Air - Exploring vibrotactile feedback for digital musical instruments with open air controllers. Master’s thesis, University of Oslo. | |
| Mahtab Ghamsari-Esfahani, Amandine Pras and Marcelo M. Wanderley (2013). Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR). | |
| Clayton Rosa Mamedes, Marcelo M. Wanderley, Jônatas Manzolli and Denise H. L. Garcia (2013). Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR), pp 766–2013. | |
| Håkon Knutzen, Tellef Kvifte, and Marcelo M. Wanderley (2013). Vibrotactile Feedback for an Open Air Music Controller. In Proceedings of the International Symposium on Computer Music Multidisciplinary Research (CMMR). pp 41–57. | |
| Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley (2013). “Libmapper: a Library for Connecting Things”. In Proceedings of the ACM SIGCHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA 2013), Paris, France. | |
| 2012 | |
| Mark Zadel (2012). Graphical Performance Software in Contexts: Explorations with Different Strokes. PhD thesis, McGill University, Canada. | |
| 2011 | |
| Vijay Rudraraju (2011). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. Masters thesis, McGill University, Canada. | |
| 2010 | |
| Sean Ferguson and Marcelo M. Wanderley (2010). ”The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments”. Journal of Interdisciplinary Music Studies, 4(2):17-35, Fall 2010. | |
| 2007 | |
| Joseph Malloch (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. Masters thesis, McGill University, Canada. | |